J.S. Bach by scheer (comp) & Khokhlov (v) / Tuerlinckx & Gordoa / Cater & Rasten

Two parts concert around and in PAS.

First part starts at 19:30 in the courtyard near by the water. (notice! audience not on the other side of the river, there will be chairs to seat):

Composition: cyril scheer
Violin: Gleb Khokhlov
J.S. Bach: Sonatas, Partitas, pauses and drones
Open Air

Second part inside PAS:

Anaïs Tuerlinckx – prepared piano
Emilio Gordoa – vibraphone

Seamus Cater – voice and concertina
Fredrik Rasten – voice and guitar

More info:

cyril scheer / Gleb Khokhlov — J.S. Bach’s Sonatas, Partitas, pauses and drones for violin solo
‘Sonatas, Partitas, pauses and drones’ is a piece exploring J.S. Bach’s
original movements from his solo violin works connecting with (any)
surroundings. It offers the observation of various focus shiftings while drifting through the whole blocks of original scores, prolonged lacunae between, and the extraneous sounds produced by a performer. This work has been written/found during the pandemic time. This will be the second version of it, reframed and a bit recomposed by adding some floating sounding points to extend the perceptive experience.

Seamus Cater & Fredrik Rasten
Sharing a love of English and Scottish traditional song, Seamus Cater and Fredrik Rasten search for a grounded resonance, both literal and musical. The repertoire explores existing ballads and proposes ballads which may never have been written in song form. At their first concert they were announced as playing old songs with new tunings, while in fact these are old songs with even older tunings. The collectors which gathered and revived folk song might somehow equate to Helmholtz and Partch gathering ancient Greek tunings, Rasten and Cater tread delicate paths between these revivalists.

1 part: courtyard, behind the building of PAS, from right side
2 part: Aufgang II, 1 OG