de.landing
2025-04-15 08:00 - 17:00 (Europe/Berlin)
A Dance and Puppet Theater Event performance event

Alexandra Doyle / Fi Lyon Fi LyonAnna Nikolskaya & Nikita Proshkin / Noise, Dim, and Trolls in the MountainEmilia Quiñones and Katharina Sonnberg / DreiFadi Waked / A Ticket to Another ImmigrationLisa Maria Damm & Lasha Goginashvili / Multiple BodiesMalena Grilli & Fabio Ferri / The Sound the Body Remembers Dancing through Unseen MelodiesXayide & Aisha Serrano / Exuvia

Hosted by İpek Seyalıoğlu

Party Perfect Label Showcase at PAS Berlin, Night 1
2025-04-17 20:00 - 23:30
Party Perfect Label Showcase at PAS Berlin

https://alwayspartyperfect.bandcamp.com

Night 1, April 17th:Technical ReserveTechnical Reserve is the trio project of Hunter Brown, Dominic Coles, and T.J. Borden. Their singular improvisational language moves freely between discrete rhythmic shards, precision-oriented bombast, and floating, hazy abjection.

TJ Borden, CelloHunter Brown, ComputerDominic Coles, Computerhttps://alwayspartyperfect.bandcamp.com/album/pp-07-cheap-heatSeiji Morimoto / Eric WongThe duo explore sonic possibilities within limited gestures to produce sound, with the attempt to reveal different layers of sounds within the parameters, and emphasize the resonance between objects.Morimoto uses small electronics that resonate on the table, and Wong reinforces the resonance of Bluetooth speakers. Morimoto amplifies the sound and creates feedback with a mixer, whereas Wong spreads out multiple Bluetooth speakers among the audience that playback bass and white noise, while keeping two for himself to resonate with nearby objects on the table. Morimoto uses piezo microphones to pick up the vibrations of his electronics as well as Wong’s vibrating speakers on the table.

Seiji Morimoto, ElectronicsEric Wong, Electronics + Bluetooth Speakers

Bryan EubanksBryan Eubanks (b. 1977, US) develops his music through solo work and collaboration. Since 1999 he has participated in many short and long term projects, and regularly presents his work internationally. Continually active in a variety of contexts: improvisation; composing electronic and acoustic works for small ensembles, solo instruments, computers, and electronics; organizing and curating concerts for other artists; building electronic instruments. Directs the label Sacred Realism and has ongoing projects with Catherine Lamb, FJE Trio, Jordan Paul, Werner Dafeldecker, and others. Lives in Berlin since 2013.

Bryan Eubanks, percussion, electronics in quadhttps://www.sacredrealism.org/artists/bryan-eubanks/

Party Perfect Label Showcase at PAS Berlin, Night 2
2025-04-18 20:00 - 23:30
Night 2, April 18th:Stefan MaierStefan Maier is a composer from Vancouver, Canada — the unceded, traditional territories of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations. His installations, performances, writings, and compositions examine emergent and historical sound technologies as tools for speculation. Highlighting material instability and unruliness, his work explores the flows of sonic matter through sound systems, instruments, software, and bodies, to uncover minor histories, sonic fictions, and alternate modes of listening and authorship. His work has been presented by Haus der Kulturen der Welt (DE), INA-GRM (FR), Ultima Festival (NO), National Music Centre (CA), Liquid Architecture (AU), Gaudeamus Muziekweek (NL), G(o)ng Tomorrow (DK), and MONOM (DE), among others. Stefan is Assistant Professor of Sound at the School for the Contemporary Art at Simon Fraser University.

Stefan Maier, Electronics

https://alwayspartyperfect.bandcamp.com/track/stefan-maier-the-arranger-loudspeaker-diffusion

Michelle LouMichelle Lou is a SoCal based electroacoustic composer and performer whose work has been presented at festivals such as MaerzMusik, Rainy Days, Wien Modern, TimeSpans, Drone not Drones, and Donaueschinger Musiktage, amongst others. Releases include solo and collaborative work on the imprints Party Perfect, Carrier, Unknown Tapes, Kairos, and Dinzu Artefacts. Visit www.michellelou.com for more information.

Michelle Lou, Electronicshttps://alwayspartyperfect.bandcamp.com/album/pp-01Technical ReserveTechnical Reserve is the trio project of Hunter Brown, Dominic Coles, and T.J. Borden. Their singular improvisational language moves freely between discrete rhythmic shards, precision-oriented bombast, and floating, hazy abjection.

TJ Borden, Cello

Hunter Brown, Computer

Dominic Coles, Computer

https://alwayspartyperfect.bandcamp.com/album/pp-07-cheap-heat

Hard to Talk! April edition
2025-04-20 18:30 - 23:00
Hard to Talk! April edition…especially if you are mosquito larva in the water

Obi Blanche – guitar, loops

Kreis:Simone Massaron – guitarFrancesca Naibo – guitar

Ultraspiesser + Jealousy PartyJulian Percy – electric guitarMarcello Busato – drumsWJM – playback devicesMat Pogo – vocal, electronics, playback devices

Terminal Beach Boys:Ghazi Barakat & d4mnj4r

Soheil and Severin – modular synthesis, noise, DIY instruments

Aru – performance

İpek Seyalıoğlu – performance

Entrance in the courtyard, Aufgang II, 1OGDoors 18:30, start 19:00 sharp!

Roger and the Pacemaker / Joe Houston & Fredrik Rasten at PAS
2025-04-23 19:00 - 23:00
Wednesday concert:

Roger and the Pacemaker (Punk Impro Duo)Seijiro Murayama – drums, voiceRoger Fähndrich – guitar, voice

duo:Joe Houston – pianoFredrik Rasten – guitar

Entrance in the courtyard, Aufgang II, 1OGDoors 19:30

DISSIDENTS LXX
2025-04-24 19:30 - 23:00
DISSIDENTS LXX

Nic Collins, almost-trumpetPeter Cusack, guitarCarina Khorkhordina, trumpet

Roger Fähndrich, voice & electric guitarLorena Izquierdo, action poetry

Andrea Ermke – field recordings, mini discsSeiji Morimoto – electronics

Entrance in the courtyard, Aufgang II, 1OGNotice: PAS changing the start time of concerts this season. Doors 19:30.

A big band extravaganza
2025-04-27 19:30 - 22:00
A big band extravaganza.

Jonathon Haffner – alto, Vini Cajado – e bass, Kellen Mills – e bass, Quentin Cholet – drums, Daniel Schröteler – drums.

2 sets at the amazing PAS Doors: 19:30 | Concert: 20:00

Temporary Autonomous Zone
2025-04-28 19:30 - 22:00
Temporary Autonomous Zone:

Ilaria Orlandini Medici, movement & voiceAndrés Navarro García, percussionHada Benedito, piano & electronicsLorena Izquierdo, action poetry

Entrance in the courtyard, Aufgang II, 1OGDoors 19:30

Simon Rose & Matthias Bauer / Leonie Roessler & Soheil Soheili
2025-04-30 19:30 - 22:00
Wednesday concert

duo:Simon Rose – Baritone SaxophoneMatthias Bauer – Double Bass

duo:Leonie Roessler – Cubita: Field Recordings from Cuba, live electronics, slide guitarSoheil Soheili – Soundscapes, live electronics, sound processing.

Entrance in the courtyard, Aufgang II, 1OGDoors 19:30, music 20:30

Isabel Robler & Samuel Hall / Hugo Costa, Johannes Fink, Samuel Hall at PAS
2025-05-01 19:30 - 22:00
Thursday concert:

Trespassing Rooms:Isabel Robler – bassSamuel Hall – drums

TrioHugo Costa – alto saxJohannes Fink – celloSamuel Hall – drums

Entrance in the courtyard, Aufgang II, 1OGDoors 19:30, music 20:30

Johnny Teenager / Pip Fluteman / Trevor Lang
2025-05-02 19:30 - 23:30
Johnny Teenager / Pip Fluteman (band) / Trevor LangWhat to expect?

Upbeat jive friendly rock n roll as the spring sun sets on the week through the windows of the cultural fortress that is Petersburg Art Space.Canada’s Trevor Lang will begin with his country soul as the evening breeze rolls through the windows off the spree, eyes closed you could be in the Arizona desert eating pancakes with maple syrup.Once musically lubricated the electric guitars will be energized and Pip Fluteman and his pals will romp through a selection of his decade-long folk rock back catalogue, backbeat and bass will surely echo through the streets of Moabit.

The evening will be adjourned by five piece good time rock n roll outfit, Johnny teenager. For the first time we can swing with our sweethearts to their 50s rock ‘n’ roll inspired beat and good old honest sentiments. Come over from 19h onwards for a pre gig chin wag and remember – to wear light comfortable shoes! 😉

Confronting Shadows: Fall of Spring Blooms #1
2025-05-05 20:00 - 23:00
Noise à Noise collective invites people in Berlin to join us for the first evening of this ‘Confronting Shadows’ performance series (Day 1/2), featuring performances by the best of experimental music artists in the city:

Confronting Shadows: Fall of Spring Blooms #1

🎶 Lineup:• Howling Mystics • Terminal Beach Boys• Interim Dissonance• LIJEL & JD Zazie

📅 Date: Monday, May 5th, 2025📍 Location: PAS Berlin, Kaiserin-Augusta-Allee 101 (Entrance in the courtyard, Aufgang II) @pas_berlin

Doors open at 19:00, with music starting shortly thereafter.🎟 Your support keeps the sound alive! Donation-based entry (€8–15 suggested), tickets are being sold both online (at the EventBrite link) and at the door.

🔗 https://anoise.org/2025/04/confronting-shadows-fall-spring-blooms-1-berlin/🔗 https://fb.me/e/4u34s5KFr

Thanks to Amirali Ghasemi for his kind help and assistance.Organised by: Soheil Soheili

Beneath the Shadows: The Quiet After
2025-05-06 19:00 - 2025-05-07 10:00
You are invited to ‘PAS Berlin’ to attend the current series of ‘Sleeping Concerts’: ‘Beneath The Shadows: The Quiet After’ on Tuesday, May 6th, 2025, as the shadows deepen and the sounds soften for a continuous flow designed for deep listening and rest.

🗓️ Day 2: Tuesday, May 6th, 2025 – Doors at 7 PM (Music starts around 8 PM)

Location: PAS Berlin, Kaiserin-Augusta-Allee 101 (Entrance in the courtyard, Aufgang II)

This is a call for the people who are looking for an overnight immersion into the world of ambient and drone music, an event organized at PAS by Soheil Soheili.

Lineup:* Samin Son (20:00-20:45)* Bonnie Harris (21:00-21:45)* tarxun (22:15-23:00)* ThreadedDreams™ (23:00-00:00)* LIJEL (00:00–01:00 – May 7th)* Alexander Markvart (01:00-02:00)* Emme (02:00-03:00)* Force Feedback (03:00-04:00)* Severin (04:00-05:00)* Soheil Soheili (05:00-05:30)* Niki Yaghmaee (05:30-06:00)* Notorische Ruhestörung (06:00-07:00)* Nikita Proshkin & Anastasia Zyrianova (07:00-08:00)* Bryan Eubanks & Catherine Lamb – (08:00-10:00) Doors open at 19:00, with music starting shortly thereafter.

Your support keeps the sound alive! Donation-based entry (€8–20 suggested).

fb event: https://fb.me/e/4u34s5KFr

Neu Berlin Institute of Improvised Music vol. 28
2025-05-07 19:30 - 23:00
28th session of ´Neu Berlin Institute of Improvised Music´:At the celebrated PAS Berlin The I n s t i t u t e is hosting a new improvisational session. We welcome you!

In this case the opening group will be:

Ipek Eginli – pianoDaniela Fromberg – objectsHugo Costa – AltosaxAlexander Beierbach – Tenor Sax

After the opening group there will be put together sessions by the curator.

Doors 19h30, Concert starts 20h

TERMINAL #14
2025-05-08 19:30 - 22:00
TERMINAL #14Curated By Seminal Records

Karen Chalco – electronics

Milo Tamez – percussionMarina Cyrino – amplified flute & objects

Rieko Okuda – pianoRaiga Hayashi – drumsVinicius Cajado – bassMatthias Koole – guitar

Donation at the door.

Axel Dörner, Bertrand Denzler, Alexander Markvart / drojji
2025-05-11 19:30 - 22:00
Sunday concert:

trio:Axel Dörner – trumpetBertrand Denzler – saxophoneAlexander Markvart – feedback guitar, objects

drojji:Feliks Mirenskiy – various ios apps, Korg NTS-3, Sound Spherical Society WintermuteAndrey Guryanov – notebook, sppinner 5x, other software

Using a combination of footwork energy and excessive tempo, narrative structures of pop music and methods of free improvisation, they create powerful, yet ironic, and unpredictable flow of information.

Entrance in the courtyard, Aufgang II, 1OGDoors 19:30 music 20:30

Andrea Centazzo, Harri Sjöström, Antonio Borghini, Kriton Beyer
2025-05-14 19:30 - 22:00
Wednesday concert:Two sets: CENTAZZO / SJÖSTRÖM / BORGHINI/ BEYER Andrea Centazzo – percussion Harri Sjöström – soprano & sopranino saxophone Antonio Borghini – double bass Kriton Beyer – daxophone

Entrance in the courtyard, Aufgang II, 1OGdoors 19:30, music 20:30

Petar Martić at PAS
2025-05-16 20:00 - 23:30
16 May, 20:00Petar Martić, the Serbian multi-genre artist known for his eclectic musical approach, will take the stage at PAS on May 16 for a double release show. The night will feature live performances of his debut EP Blok Pop, released last November, alongside his freshest EP Cafe Bar Almira, featuring a blend of dark jazz, trip-hop, outsider pop, and world music. The show will also include hidden and not-so-hidden gems from his extensive catalog and DJ set afterwards.

This will be his first solo performance in Berlin. With more than a decade of experience across various projects and performances—including punk shows in Russia, rap gigs in Europe, and DJ sets in Asia – Petar continues to push boundaries, carving out new ground in both the Balkan and European indie scenes.

And the concert will be opened by Berlin-based artist SUCKMYWAV, who attracts attention with his cross-genre productions. His sound combines elements of UK garage, UK drill and jazz to create a raw, unpredictable and fresh style.

16.05. (пт) – Петар Мартич в Берлине!

“Пасош”, “прыгай киска”, “Озёра” – только некоторые из списка проектов легенды ру сцены Петара Мартича. (https://www.instagram.com/dr_martic/) Впервые с сольным концертом в Берлине, он анонсирует свой второй indie-pop/ dark-jazz альбом на сербском языке “Cafe Bar Almira”. Откроет вечер энергичным лайвом берлинский артист SUCKMYWAV. (https://www.instagram.com/suckmywav?igsh=MWk3Mm54eHZxNjJvcg==)

А после Петар встанет за диджей пульт и сыграет полный сюрпризов сет – без его танцевальных хитов точно не обойдется

RAFGAK: Eubanks & Markvart / Yann Joussein & Marie Takahashi
2025-05-18 19:30 - 23:00
Sunday concert:

RAFGAK:Bryan Eubanks – saxophone, electronicsAlexander Markvart – feedback guitar, objects

duo:Yann Joussein – drumsMarie Takahashi – viola

Entrance in the courtyard, Aufgang II, 1OGDoors 19:30, music 20:30

Roman Stolyar, Julia Bilat / Tamara Soldan / Mia Zabelka
2025-05-19 19:30 - 22:00
Monday concert:

duo:Roman Stolyar Piano –Julia Bilat cello, voice

solo:Tamara Soldan – voice, fiddle, live electronics

solo:Mia Zabelka – violin, live electronics

Entrance in the courtyard, Aufgang II, 1OGdoors 19:30, music 20:30

Six Organs of Admittance + Support
2025-05-21 20:00 | PAS, Kaiserin-Augusta-Allee 101, Hinterhof Aufgang II, First Floor, Berlin, Berlin, 10553, Germany
Rub Off The Dark presents Six Organs of Admittance live at PAS 21.05.25. Six Organs of Admittance is the project of Ben Chasny. Original inspiration for the band came from wanting to merge the styles of finger style acoustic guitar with more improvisational drone elements. A copy of Hans Peter Duerr’s Dreamtime book (a gift from Ben’s friend Rob Fisk) provided the early blueprint for the analogy of finger style = civilization vs. noise = wilderness that was to dominate the first few releases. Early records were recorded on a Tascam 424 mkII four-track and self released while Ben still lived in Humboldt County. Eventually Six Organs hooked up with the label Holy Mountain, who reissued the first two records and released the third, Dark Noontide.

Six Organs has moved from one city to the next as well as touring across the USA and Europe many times, along with the occasional festival. One highlight was being invited by the band Neurosis to play their weekend of curation of Roadburn Festival in Tilburg, Holland, in 2009.

Six Organs of Admittance continues to tour and release records on Drag City, the latest record being 2024’s Time is Glass.

With Time is Glass, Six Organs of Admittance is captured once again in the intricate tangle of the fretboards, soaring in open skies above. Like lens flare cutting through the speakers; spider-webs cracking the windshield that holds back all the onrushing reality. Blowing the dust away, cutting a new path for cognition. As is always endeavored….

After 20 years of living on the road in different places, Six Organs of Admittance had returned home to Humboldt County — a far country, to some, but still part of the world through which creatures of all kinds are moving through and contributing to. And some of them are human. Alone together—forming connection and exchange out of thought and expression—no different from the people on the other side of the Redwood Curtain. It was there, where Six Organs had long ago emerged, in the name of everything cycling, of circles that spiral concentrically and remain unbroken, the new music was conceived.

In moments, it was as if the future had somehow wrapped around 360 degrees; elsewhere, the systems and patterns inside the writing and recording only became evident later—like a recognition that cumulus and nimbus clouds which passed through the sky the day before contained familiar shapes. Informing the songs accordingly as he went, Ben picked up on modes both musical and lyrical, threading backward through the time of Six Organs of Admittance. Almost marinating in it as a way of life. Working on the music and the vocals, then spending some time with them while stepping away from them. Walking the dog and coming back to them. Time is Glass is made of that kind of time. Alone time. Recorded in the visceral environs of home, Time is Glass is sharply focused, even as misty impressionist mountains float through the background. Sweet and spiny, “The Mission” sings its purpose, before turning abruptly to the orchestral rumble of “Hephaestus”: rural industrial psychedelia, ecosystem goth, synths arcing to lift a helplessly earthbound community into the firmament above. Winding almost imperceptibly back into song with “Slip Away”, the time of the record becomes clear, moves fluidly, relaxed but aware, from event to event. People and things coming around again. The intuit, passing through wormholes and time, sounding deep then dissolving into the universal. The acoustic sounds ringing, layered suddenly, then clear again. Explosions of a new kind of distortion. Ecstatic melodies. Communing. The space of a day. The space of a season. Time is Glass, and Six Organs of Admittance is here and will be here, again.

Click here to buy ticketsSell tickets online with Ticket Tailor

Six Organs of Admittance + Support
2025-05-22 20:00 | PAS, Kaiserin-Augusta-Allee 101, Hinterhof Aufgang II, First Floor, Berlin, Berlin, 10553, Germany
Rub Off The Dark presents Six Organs of Admittance live at PAS 22.05.25. Six Organs of Admittance is the project of Ben Chasny. Original inspiration for the band came from wanting to merge the styles of finger style acoustic guitar with more improvisational drone elements. A copy of Hans Peter Duerr’s Dreamtime book (a gift from Ben’s friend Rob Fisk) provided the early blueprint for the analogy of finger style = civilization vs. noise = wilderness that was to dominate the first few releases. Early records were recorded on a Tascam 424 mkII four-track and self released while Ben still lived in Humboldt County. Eventually Six Organs hooked up with the label Holy Mountain, who reissued the first two records and released the third, Dark Noontide.

Six Organs has moved from one city to the next as well as touring across the USA and Europe many times, along with the occasional festival. One highlight was being invited by the band Neurosis to play their weekend of curation of Roadburn Festival in Tilburg, Holland, in 2009.

Six Organs of Admittance continues to tour and release records on Drag City, the latest record being 2024’s Time is Glass.

With Time is Glass, Six Organs of Admittance is captured once again in the intricate tangle of the fretboards, soaring in open skies above. Like lens flare cutting through the speakers; spider-webs cracking the windshield that holds back all the onrushing reality. Blowing the dust away, cutting a new path for cognition. As is always endeavored….

After 20 years of living on the road in different places, Six Organs of Admittance had returned home to Humboldt County — a far country, to some, but still part of the world through which creatures of all kinds are moving through and contributing to. And some of them are human. Alone together—forming connection and exchange out of thought and expression—no different from the people on the other side of the Redwood Curtain. It was there, where Six Organs had long ago emerged, in the name of everything cycling, of circles that spiral concentrically and remain unbroken, the new music was conceived.

In moments, it was as if the future had somehow wrapped around 360 degrees; elsewhere, the systems and patterns inside the writing and recording only became evident later—like a recognition that cumulus and nimbus clouds which passed through the sky the day before contained familiar shapes. Informing the songs accordingly as he went, Ben picked up on modes both musical and lyrical, threading backward through the time of Six Organs of Admittance. Almost marinating in it as a way of life. Working on the music and the vocals, then spending some time with them while stepping away from them. Walking the dog and coming back to them. Time is Glass is made of that kind of time. Alone time. Recorded in the visceral environs of home, Time is Glass is sharply focused, even as misty impressionist mountains float through the background. Sweet and spiny, “The Mission” sings its purpose, before turning abruptly to the orchestral rumble of “Hephaestus”: rural industrial psychedelia, ecosystem goth, synths arcing to lift a helplessly earthbound community into the firmament above. Winding almost imperceptibly back into song with “Slip Away”, the time of the record becomes clear, moves fluidly, relaxed but aware, from event to event. People and things coming around again. The intuit, passing through wormholes and time, sounding deep then dissolving into the universal. The acoustic sounds ringing, layered suddenly, then clear again. Explosions of a new kind of distortion. Ecstatic melodies. Communing. The space of a day. The space of a season. Time is Glass, and Six Organs of Admittance is here and will be here, again.

Click here to buy ticketsSell tickets online with Ticket Tailor

Guilty Pleasure
2025-05-23 20:00 - 23:30
TonightGuilty Pleasure Party.Dancing and meeting party with eclectic music.

20.30 — 21.30 Pavel Pakhomov (https://www.instagram.com/pavelpahom/?locale=de_DE&hl=en) (группа Marzahn)21.30 — 22.30 youngmasha (https://www.instagram.com/youngmasha/?hl=de)22.30 — 23.30 Katerina Poshvina (https://www.instagram.com/katerina_poshvina/?hl=de)23.30 — 00.30 Skorobogatov (https://www.instagram.com/alexanderskorobogatov/)00.30 — 01.30 Kobzev (https://www.instagram.com/eskobzv/) (ORBIT)

entrance in the courtyard, Aufgang II, 1OGdoors 20:00

Hard to Talk! May Edition
2025-05-25 18:30 - 23:30
Hard to Talk! May Edition…especially if you are dead million years ago…

Exhibitions:María FernándezEmb0wdn

(half)animal: necromeditation – performanceMaxim Evstropov – sound, mediation, voicePyotr Kupriyanov – remote soundsStepan Kachalin – remote sounds

solo:movan – electronics

duo:d4mnj4r – electronics, objectsThreadedDreams – electronics

SIC!:Alexander Markvart – feedback guitar, objectsMaxim Evstropov – voice, electronics

Entrance in the courtyard, Aufgang II, 1OGDoors 18:30, start 19:00

Klub Demboh
2025-05-26 19:30 - 22:00
Klub DembohMay audio-visual polyphony

Antonio Borghini – bassAxel Dörner – trumpetMia Dyberg – saxophoneMichael Griener – drumsJoel Grip – double bassFrauke Nowak – movementCarina Khorkhordina – trumpetMarie Takahashi – violaAlexander Markvart – bartender+ guests:Martin Küchen – saxophoneAnton Jonsson – drums

Entrance in the courtyard, Aufgang II, 1OGDoors 19:30, start 20:30

Michel Doneda & Alexander Markvart / Martin Küchen, Anton Jonsson, Joel Grip
2025-05-28 19:30 - 22:00
Wednesday concert:

duo:Michel Doneda – saxophoneAlexander Markvart – feedback guitar, objects

trio:Martin Küchen – saxophoneAnton Jonsson – drumsJoel Grip – double bass

Entrance in the courtyard, Aufgang II, 1OGDoors 20:00, music a bit later.

DISSIDENTS LXXI
2025-05-29 19:30 - 22:00
29 May, 19:30DISSIDENTS LXXI

Rieko Okuda – piano & electronicsSam Hall – drums & electronicsGuido Kohn – cello & electronics

DELÍRICO:Eric Wong, electric guitarEric Bauer, electric guitarCarina Khorkhordina, trumpetLorena Izquierdo, voice action poetryTony Elieh, electric bassBurkhard Beins, electric bassDerek Shirley, drums

Sooded:Edith Steyer: Prepared ClarinetSue Koppel: Corporeal Mime

Entrance in the courtyard Aufgang II, 1OGDoors 19:30

ECHO MIRROR FOREVER
2025-06-01 19:30 - 22:00
Tonight at PASECHO MIRROR FOREVER

Michel Doneda – soprano saxophoneBryan Eubanks – soprano saxophoneStephen Flinn – percussion..Anaïs Tuerlinckx – prepared pianoBryan Eubanks – modular synthesis

doors 19:30, music 20:00Aufgang II in the Hof

Neu Berlin Institute of Improvised Music vol. 29
2025-06-04 19:30 - 20:00
29th session of ‘Neu Berlin Institute of Improvised Music’:At the celebrated PAS Berlin The I n s t i t u t e is hosting a new improvisational session. We welcome you!

In this case the opening group will be:

Jonathan Lindhorst – tenor saxTorsten Papenheim – guitarFabian Jung – drumsRosemarie Förster – synthesizer & vocals

///After the opening group there will be put together sessions by the curator.Doors 19h30Concert starts 20h///

Mission:By bringing together different practices of improvisation, we strive to open up the often isolated situation of music scenes to each other and prevent a structural conservatism that exists in the field of improvisation. We focus on connecting and learning from all different genres and subsidiaries. Encouraging people from different musical backgrounds and contexts to interact with each other and create a curated framework for immediate composition in a live setting. Because we believe that improvisation can mean lifelong musical learning, we want to view its ongoing practice and performance as an opportunity for the development of one’s “voice” and to create a regular offering for musicians* to keep trying themselves out in this laboratory and working community. We hope that in this way we can contribute to spreading this common respect for each other and the different approaches to improvisation in all of our respective “scenes” and enable fresh perspectives. The idea is not new, of course, but we want to perceive it anew. In our case we take the name away from an institution that was founded in Vienna 2005 under the name ‘The Neu New York/Vienna Institute of Music’ by the now deceased saxophonist Marco Eneidi and still exists as ‘Monday Improvisers Session’ in Vienna.A warm invitation to you, if you feel addressed, and if you want to join this process as a listener!–MIIMKDGraphic Design by Daphné Lejeune / https://lejeunedaphne.com/

Plan Kruutntoone and Ahura Mazda 3000 at PAS
2025-06-05 19:30 - 23:30
Plan Kruutntoone and Ahura Mazda 3000 at PAS

Bas Alblas: bassesChris Muller: drumsRuggero di Luisi: drumsHans Visser: guitar, banjo, voiceAustėja Žvirblytė: hornsEduardo Doreste: bass clarinet

You will find yourself between The Bad Seeds’ gospel, Ornette Coleman’s free jazz and the strict transparency of Galina Ustvolskaja; all in Plan Kruutntoone’s own language with vocals and horns from Ahura Mazda 3000.

Entrance in the courtyard, Aufgang II, 1OGdoors 19:30

https://plankruutntoone.bandcamp.com/album/humpacoma

https://plankruutntoone.bandcamp.com/album/gelijktijdigwiel

https://www.facebook.com/plankruutntoone
